It’s unusual for a live performance set up, but Kevin really loves the tally system because he interacts with the cameras almost as though on a film set, rather than a live stage.” “The cameras’ tally and talkback functions are also critical for the tour’s creative direction. “At some of the venues, such as the O2, we can be filming from up to 50 meters away from the stage, so we need to have the headroom that a telephoto zoom affords to ensure we can still capture a clean, crisp image,” Johnny said. ![]() Three Blackmagic Studio Cameras 4K tracked Kevin’s performance on stage - two positioned in the pit and a third, designated as the front-of-house camera, paired with a telephoto zoom. “We had an extremely short lead time and had to be able to not only deliver a reliable and robust touring package that could deliver excellent results with high video quality and low latency, but also top value for the client.” “The Blackmagic Design equipment we’ve selected records broadcast grade image quality as part of a turnkey live production set up,” said Johnny Palmer, founder of SXS Events. The Blackmagic Studio Camera 4K and ATEM 1 M/E Production Studio 4K delivered live video during performances and took a central role in SXS Events’ workflow, comprised of LED screens, IMAG projectors, portable production units and the crew. ![]() Video plays a major part in the tour’s overall aesthetic and content, and influences Kevin’s performance and interaction with arena audiences. SXS Events supplied the live production workflow for the UK dates in January 2016 on comedian Kevin Hart’s ‘What Now’ world tour, which took place at major venues including London’s O2 and Wembley Arena. ![]() Blackmagic Design’s Live Workflow Goes on Tour with Kevin Hart
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